Man Seeking Woman Main Titles by DK Studios, by DIGITAL KITCHEN

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www.dkstudios.com

DK teamed up with FXX to create the main title sequence for the network’s new original comedy “Man Seeking Woman,” starring Jay Baruchel and created by former “SNL” writer Simon Rich.

Based on Rich’s book of short stories, “The Last Girlfriend on Earth,” the series is a sweet and absurdist look at the surreal life-and-death stakes of dating and the quest for love —centered on Josh Greenberg (Baruchel).

DK crafted an iconic graphic approach for the titles, meant to contrast with the show’s live action. In the sequence, symbols of ordinary dating life mix with over-the-top, genre-spanning imagery, reflecting the unique narrative device used in the series. Packed into 30 seconds, the titles are filled with action and fun moments to keep each viewing fresh and engaging. Viewers are sure to catch new details each time they watch.

Client: FX

​ECD: Camm Rowland
CD: Elliot Lim
Animator: Chris Carboni
Animator: Elliot Lim
EP: Colin Davis
Producer: Blake Nickle
Soundtrack: Original score by Photay
Production Co: Broadway Video, FX Productions

Man Seeking Woman Main Titles by DK Studios by DIGITAL KITCHEN

PANO | LA – 10K, by SCIENTIFANTASTIC

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PLEASE WATCH FULLSCREEN IN FULL HD

Shooting Pano LA has been the most ambitious, challenging, demanding, and rewarding project I have worked on to date. It was shot over a period of two years entirely in true panoramic form using two synced DSLR cameras side by side. The resulting panoramic timelapse footage comes in at a whopping 10K x 4K resolution when stitched. I did not shoot this film to achieve the extreme resolution. I shot it for the panoramic look, especially the compressed look you get when using long lenses.

Shooting panoramic timelapse was something I had always wanted to do. I love panoramic images and wanted to bring that look to timelapse, and I wanted to do it proper, not by faking it by just cropping the top and bottom of regular timelapse shots. I gave it a try many years ago but was never able to get the images from the two cameras to sync properly and get the images to stitched together correctly.

A couple years ago I was contacted by a client wanting some panoramic timelapse shots of LA. I told them I had tried it in the past and it did not work out to well, but that I am willing to give it another try. So I purchased some new gear and set out to my local testing locations in Malibu. The initial shots were successful so I continued shooting / testing for the next couple weeks. At that point I had acquired a few good test shots to show the client and sent them over to them. Long story short I never heard back from them about the project, but I kept shooting anyways. If it was not for that failed job/project I probably would have never got around to giving panoramic timelapse another try.

For licensing inquiries:
Please email me using the contact form on my site for the quickest response ( http://ift.tt/2eEPADn ). All footage available in 10K, 8K, 4K resolutions and multiple aspect ratios.

You can follow me at:
Facebook – http://ift.tt/1sMuNNC
Instagram – http://ift.tt/1aa1yfd
Twitter – http://www.twitter.com/scientifantasti
Website – http://ift.tt/Mp0OoL
Email – joe@scientifantastic.com

Music: “Death in a garden” by Lowercase Noises ( http://ift.tt/s2s6sb )

Gear Used:
2 Canon 5DIII cameras
2 of each Canon 24-70mm, 24-105mm, and 70-200mm lenses
Custom build panoramic rig
RamperPro
Custom dual trigger intervalometer

Motion Control:
Kessler Crane TLS with Second Shooter ( http://ift.tt/oZJKwo )

A big THANK YOU to:
Chris Pritchard ( http://chrispzero.com )
Dustin Kukuk ( http://ift.tt/29tMGC5 )
Andrew Walker ( http://ift.tt/XrwOjb )
Colin Rich ( http://www.deer-dog.com )
Matt Givot ( http://timeflymedia.com )

PANO | LA – 10K by SCIENTIFANTASTIC

Signal / Void – Pause 2017 Motion Response, by Scott Geersen

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Created for Pause Fest 2017: http://ift.tt/Uok3Ta
Signal/Void is about a darker view of the networks we belong to and take part in every day: some voluntary, some unseen.
The mechanisms of these networks are designed to keep us plugged in by delivering stories, information and images – hopes and dreams – that directly feed our own desires and version of reality.
But the cold truth is that the ultimate goal is often the collection, quantification, analysis and storage of our very selves, and so these networks are carefully maintained to best keep us blindly acquiescent. The system is addictive and hard to escape. It sucks up time, closes our eyes to the world around us, and blinds us to true human connection.

Credits:
Direction: Scott Geersen
Design and 3D: Substance
Edit: Joseph Morris
Music: David O’Brien
Sound Design: Geoff Case

Software:
Maxon Cinema 4D R18, Octane Render, Adobe After Effects

Signal / Void – Pause 2017 Motion Response by Scott Geersen

VFX Games – The Art of Compositing, by Roy Peker

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A short project that I have created that explains what is VFX and especially Digital Compositing.
This project was made to showcase my skills alongside my creativity, I was responsible for
all of the 2D aspect of it and supervising the team that was working on their own special
skills such as 3D, Matchmove, Grading, Sound design and much more…..!

Credits of who ever worked or donated his work are being showed in the end of the
video so please feel free to stay and watch until the end.

Special thanks & Links –

CG was created and donated by Dmitriev Vasiliy:
http://ift.tt/2kB3CKh

SFX was donated by Bluezone Corporation:
http://ift.tt/2lzsEbt

Thanks for watching!

Contact Mail –
pekerroy@gmail.com

VFX Games – The Art of Compositing by Roy Peker

Analogue Loaders, by Raphael Vangelis

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This short film is my animated autobiography. I spend most of my life swearing at the computer because it’s crashed or isn’t working. Here, well known digital symbols are turned into something analogue and playful. The result is an homage to all the lost time we collectively spend in digital limbo in the hopes of sudden development on our screen.

Making Of: http://ift.tt/2kKP7DH
http://ift.tt/2kZWvJS

Design, Direction, Animation: Raphael Vangelis

Music & Sound Design: Antfood
Cel Animation: Matthieu Petit, Joey McCormick, David Schagerström, Aparajita R., Raphael Vangelis
Director of Photography: Florian Juri, Raphael Vangelis
Model Making: Elizabeth Peach, Domo Suki, Bryony Hooper, Julia Caram, Raphael Vangelis
Production Assistance: Victoria Waterhouse-Taylor
Compositing: Leanne Pletersky, Tiago Barbosa, Duncan Horn, Raphael Vangelis
Color Grading: Daniel de Vue

Big Thanks to:
Hector MacLeod
Glassworks
Land Salzburg
Land Oberoesterreich
Stadt Salzburg

Analogue Loaders by Raphael Vangelis

Thank God It’s Pi Day, by MediaMonks

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A Cerebral Canvas Celebration of that most unique of days. While Pi is a constant each of its numbers animates cross time & space to create playful patterns of color, creative & chords in this piece of generative animation art.

View this at: http://ift.tt/1G2CK7Z

Thank God It’s Pi Day by MediaMonks

Stuff I Thought As A Kid, by Tendril

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It’s the one year anniversary of our São Paulo studio!
In honour of that, our brilliant São Paulo team has created ‘STUFF I THOUGHT AS A KID’. It’s a humorous little collection of moments depicting the hilarious and creative ‘facts’ kids decide about the world. If you have any funny ‘facts’ you thought as a child, go ahead and share them in the comments below!
Special shout-outs to Antfood, who lent their always-amazing talents to the film’s audio and VO.

CREDITS:

Director:
Daniel Pommella

Executive Producer:
Kate Bate

Producer:
Priscila Conde and Molly Willows

Art Direction:
Daniel Pommella and Leandro Beltran

Design:
Daniel Pommella, Leandro Beltran, Samuel Bohn, Rodrigo Rezende

Copywriting:
Daniel Pommella and Molly Willows

3D Modelling:
Leandro Beltran, Gabriel Rocha, Samuel Bohn, Carlos Torres, Daniel Pommella

Animation:
Leandro Beltran, Gabriel Rocha, Daniel Pommella, Samuel Bohn , Carlos Torres

Render:
Leandro Beltran and Marcelo Souza

Soundtrack and Sound Design:
Antfood

Stuff I Thought As A Kid by Tendril

Exxon / Mobil – The Dot, by Young

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We were asked by AMV BBDO to bring life to their story of ‘the dot’.

The film follows the journey of a single dot, transforming into and interacting within various worlds.

Produced over a period of 2 months, we created a mixed-media film compromising of paper craft, stop motion, claymation, CGI and cell animation – all carefully orchestrated to morph from one into the other.

Exxon / Mobil – The Dot by Young

El Empleo / The Employment, by opusBou

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www.opusbou.com.ar

Cortometraje de animación / animated short film

Dirección / Direction: Santiago ‘Bou’ Grasso
Idea: Patricio Plaza
Animación / Animation: Santiago ‘Bou’ Grasso / Patricio Plaza
Diseño de títulos / Titles design: Natalia Acosta
Productora / Production company: Opusbou

http://ift.tt/w1FO5c
http://ift.tt/suZPSa

El Empleo / The Employment by opusBou

Spectacle of the Real, by Buck

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David Blaine approached us to make an animated intro for his latest magic special, a palette cleanser to get people excited for a bumpy night ahead. Inspired by David’s mind-bending magic and the Paul Auster penned script which was voiced by Christopher Walken in the style of a side-show barker, we crafted a hero’s journey of sorts, a psychedelic trip into the spectacle of the real.

Directed By: Buck
Executive Creative Director: Orion Tait
Creative Director: Thomas Schmid
Creative Director: Daniel Oeffinger
Executive Producer: Anne Skopas
Senior Producer: Kevin Hall
Production Coordinator: Alexi Yeldezian
Storyboard: Justin Fines, Olivia Blanc, Thomas Schmid
Design: Daniel Oeffinger, Jaedoo Lee, Justin Fines, Lucas Brooking, Olivia Blanc, Thomas Schmid, Yeojin Shin, Yker Moreno
Cel Animation: Benjy Brooke, Gonzalo Menevichian, Harry Teitelman, Jake Armstrong, Jaedoo Lee, Kyle Mowat, Olivia Blanc, Thomas Schmid, Tim Beckhardt, William Trebutien, Yeojin Shin
After Effects Animation/Composite: Andreas Bjoern Hansen, Alex Perry, Daniel Oeffinger, Fede Reano, Rasmus Bak, Wei Shen Wang, Yeojin Shin, Jaedoo Lee
3D Animation: Arvid Volz, Bill Burg, Bill Dorais, Chris Phillips, John Karian, Tao Ye
Editor: Chad Colby, Daniel Oeffinger
Audio: Antfood

Spectacle of the Real by Buck

Google – Horizon Conference Open, by Gunner

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A visual spectacle driven by music to open a Google event held at the San Francisco Mint.

Directed by Gunner
Design: Ian Sigmon, Nick Forshee
Animation: Marcus Bakke, Ian Sigmon, Nick Forshee
Music Composistion: http://ift.tt/2g2F2SB
Client: Google

Google – Horizon Conference Open by Gunner

How on earth, by Studio River

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Triforce is a company that offers innovative solutions oriented around energy transition and ecological issues. As part of its development it has entrusted us with the production of an original film to promote its commercial offers to its collaborators. Given genuine carte blanche, we opted for a grandiloquent tone and plenty of off-beat humor.

A big thanks to the Triforce team that gave us absolute freedom to create and interpret their needs, we had a blast and we hope you will enjoy it!

_ _ _ _

Triforce est une société qui propose des solutions innovantes orientées autour de la transition énergétique et des problématiques écologiques. Dans le cadre de son développement elle nous a confiée la réalisation d’un film original afin de promouvoir son offre commerciale. Véritable carte blanche nous avons opté pour un ton grandiloquent et une bonne dose de second degrés…

Un grand merci à l’équipe de Triforce qui nous a laissé toutes les libertés de créer et d’interpréter leurs besoins, on s’est éclaté et on espère que cela vous plaira!

///////////////////////////////////////////

Client : Triforce
Agency : Studio River
Executive Creative Director : Keyvan Nourian ( https://vimeo.com/keyvannourian )

Script : Pierrick & Keyvan
Storyboarding : Ophélie Cohen
Animation : Keyvan & Pierrick
Shadding, Lighting & Rendering: Keyvan & Pierrick ( https://vimeo.com/pcrea )
Compositing & Postproduction : Keyvan
Sound design & Mix : Keyvan Nourian
Voice recording : Scopitone

///////////////////////////////////////////

Softwares
C4D //Arnold// After Effects

///////////////////////////////////////////

Special Thanks
Benoit Allemane, Vinh Tran, Pixel Lab

How on earth by Studio River

DOORCUTS, by Zak Tatham

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Short-cutting time and space take some convenient stretching.
http://doorcuts.com

SELECT SCREENINGS
Maryland Film Festival, Baltimore, Maryland (Opening Gala)
Xpace Cultural Centre, Toronto, Ontario
Roswell Film Festival, Roswell, New Mexico (Nominated for Best Editing)
Art Athina, Athens, Greece
River Film Festival, Padova, Italy
Down The Rabbit Hole, Holland, The Netherlands
Hamilton Artists Inc, Hamilton, Ontario
Supernova Outdoor Digital Animation and Art Festival, Denver, Colorado
Fargo Fantastic Film Festival, Fargo, North Dakota
Tallgrass Film Festival, Witchita, Kansas
BLOW-UP Arthouse Film Fest, Chicago, Illinois
Cut Out Fest, Queretaro, Mexico
Amarcord Art House TV & Video Fest, Chicago, Illinois

Director / Editor / VFX: Zak Tatham (http://zaktatham.ca)
Star / Jogger: Jesi the Younger (http://jesi.ca)
Grip & Art Director: Aaron Manczyk (http://gothassfuck.com)
Additional VFX: Efehan Elbi (http://efehan.ca)
Camera / DOP: Zak Tatham + Efehan Elbi + Aaron Manczyk + Andrew Gavel
Composer: Man Made Hill (http://ift.tt/1xmkQcR)
Credit song “Sour Taco” by Harrah
Makeup: Gina Pulai (http://ift.tt/1VPSO7J) + Frincess
Door Carpenter: Zoe Solomon

TEASER: http://ift.tt/25uNWeo

More info:
http://ift.tt/1WP7tku

DOORCUTS by Zak Tatham